Current

The Life of Things at Museum Voorlinden, Wassenaar, NL. January 25 to November 2, 2025

Fresh Window: The Art of Display and Display Art at Museum Tinguely, Basel Switzerland. December 5, 2024 to May 11, 2025

Ordinary People: Photorealism and the Work of Art since 1968, MOCA, Los Angeles. Curated by Anna Katz. November 24 2024, to May 4, 2025.

The Living End: Painting and Other Technologies, 1970–Present, Museum of Contemporary Art, Chicago. November 9, 2024, to March 16, 2025.

Chapter #1: Art in Life, Life in Art, Daelim Museum, Seoul. November 15, 2024, to May 18, 2025.

Upcoming

Daido Moriyama and Sayre Gomez at Taka Ishii, Tokyo. April 2025

News

Photorealism, a Cast-Off Movement, Gets a 21st-Century Update, by Carolina A. Miranda for Art New, January 15, 2025

‘The Living End’ at Chicago’s MCA Celebrates the Relevance and Irrelevance of Painting, by Noah Berlatsky for The Observer, December 13, 2024

Review: Photorealist painting finally gets due respect. MOCA shows the ‘work’ in each ‘work of art,’ by Christopher Knight for Los Angeles Times, December 4, 2024

“Sayre Gomez and Jonas Wood On Poker, Parenthood, and Paleontology,” for Interview Magazine, March 4, 2024

“How Painter Sayre Gomez Captured the Polarized Heart of Los Angeles” by Isimeme ‘Easy’ Otabor for GQ Magazine, February 29, 2024

“Los Angeles Artist Sayre Gomez On the Pull of the City’s Forgotten Corners,” by Katie White for Artnet News, February 27, 2024

“Sayre Gomez’s paintings show LA ‘as it is, rather than a projection,” by Victoria Woodcock for CNN

“For me, it’s always a conversation between painting and photography” by Janelle Zara for the Financial Times, February 23, 2024

“Sayre Gomez’s Hyperrealistic Paintings Capture the Grit of Urban L.A.” by Maxwell Rabb for Artsy, February 19, 2024

“‘Heaven ’N’ Earth’: Sayre Gomez blurs the reality and illusion of Los Angeles” by Finn Blythe for Wallpaper, January 25, 2024

“Pain Against Pleasure” by Vilda Krog for Office Magazine, November 21, 2023

“Daily Artefacts: Sayre Gomez” by Martin Onufrowicz for Shadowplay Magazine

“Sayre Gomez: Landscapes” Contemporary Art Daily

“Celebrating Artists Across Generations” at The Hirshhorn New York Gala

“Sayre Gomez: Renaissance Collection,” by Jake Romm for The Brooklyn Rail

“Sayre Gomez Finds the Meaning Hidden in Plain Sight,” by Jori Finkel for Cultured Magazine

“What’s in a Vibe?” by Melanie Bühler for Mousse Magazine

“Artist Led campaign urges climate action across California” by Annabel Keenan for The Art Newspaper

“Halloween City” featured on Contemporary Art Daily

“This Sayre Gomez sculpture is a monument to the worst habits of L.A.’s City Council,” by Carolina A. Miranda for the Los Angeles Times